Jaye Jayle – No Trail and Other Unholy Paths
[Reviewed by stark] Jaye Jayle’s mastermind is Evan Patterson who on the occasion of recording this album was helped by a couple of other musicians. But, it is him who […]
Category Archives: reviews
Panegyrist – Hierurgy
[Reviewed by: Iaha Crax] Is it not a case of misfortune that music of this attire replaces the prophetic inspiration? If Black Metal would not be there to support, like […]
Manes – Slow Motion Death Sequence
[Reviewed by stark] It’s their second full album after the reunion. Well, third if we’d count the “Teeth, Toes And Other Trinkets” collection of weird, previously unreleased stuff. Coming from […]
ProtoU – The Edge of Architecture
[Reviewed by: Iaha Crax] It’s been quite a pleasure every time hearing “The Edge of Architecture”, it concocts a feeling of loss and numbness before stepping down from the top […]
Inner Vision Laboratory – Relics
[Reviewed by stark] Maybe I’m wrong, but I always had the impression that Inner Vision Laboratory has never been Karol Skrzypiec’s life’s priority, because its potential has never been fulfilled […]
Urals Vector Plant – Waving Fluids
[Reviewed by: Iaha Crax] This EP got out at Human Lessons, a label from Tokyo run by Emika Elena. “Waving Fluids” can be listened on Beatport and other digital databases. […]
Machinefabriek – Assemblage
[Reviewed by stark] Here’s the sound diary of a prolific Dutch experimental musician Rutger Zuydervelt. Even if you’re a fan, it would be difficult to get all the original releases, […]
Arkheth – Twelve Winter Moons Comes The Witches Brew
[Reviewed by: Iaha Crax] I was immediately captivated by the witching painted cover (by Francesco Gemelli known from his works for Katatonia, Mayhem), that could figure on a medieval illuminated […]
Choisir Le Pire – –
[Reviewed by: Iaha Crax] This project from Metz was released by the French label Le Tombeau des Muses, where you can find another French project CHIER, perhaps already known to […]
P.H.O.B.O.S. – Phlogiston Catharsis
[Reviewed by: Iaha Crax] If sublime is (was?) the greatest quality in academic aestheticism should we care to name weirdness as a standard fit to require the throne of underground […]
