[Reviewed by: Iaha Crax] Anarkhon handles Death Metal with clean lines and a well-balanced compositional force. If you are no longer particularly impressed by the old type classic style of […]
[Reviewed by: Iaha Crax] With a dazzling speech of electrifying witchery Black Metal, Aara rekindles a tradition long lost for the genre, the romantic orgy of grandiloquent and operatic music […]
[Reviewed by: Iaha Crax] As I go along the track a recurrent image from a writing by Joseph de Maistre keeps haunting around: the earth resembling an immense bloody altar […]
[Reviewed by: Iaha Crax] An anecdote of recent times imagines the renaissance neo-platonist and magician Marsilio Ficino in a home-made ritual: he tunes up his lira da braccio and begins […]
[Reviewed by stark] After three years the Spaniards are back with new material and if you had imagined you would survive the maelstrom of sounds they creeped with, make no […]
[Reviewed by stark] It’s this kind of black metal, which may not leave a very persistent mark in my black heart, but is more than pleasant to my ears. It’s […]
[Reviewed by: Iaha Crax] Latitudes have reached their 4th album by the help of Debemur Morti Records. As always the decision to publish this record from the french label weighs […]
[Reviewed by stark] “Gods Without Name” is a debut album of Aoratos, a new project by Kyle Spanswick, a prolific musician from Colorado. The experience gained in such projects like […]
[Reviewed by stark] It’s their second full album after the reunion. Well, third if we’d count the “Teeth, Toes And Other Trinkets” collection of weird, previously unreleased stuff. Coming from […]
[Reviewed by: Iaha Crax] Dehn Sora is gifted by nature for the observation of the monstrosities inhabiting man’s perpetual need for promiscuity and repentance, an urge for annihilation concealed under […]
