Pouppée Fabrikk – Armén
[Reviewed by: Iaha Crax] It might be better not to know anything about this project, although those in their forties and sixhundredsixtysixties, who intimately sacrificed their bodies to the raw […]
[Reviewed by: Iaha Crax] It might be better not to know anything about this project, although those in their forties and sixhundredsixtysixties, who intimately sacrificed their bodies to the raw […]
[Peter Marks] February 1 sees the release of ‘Ghost Nocturne’ from the outfit who gave us 2011’s splendid ‘Strange Cargo’, Acretongue. It’s been the better part of a decade since […]
[Reviewed by Peter Marks] We have a very interesting album to contend with here, 3/4 of Dance or Die operating under a new name somehow managing to not sound like […]
[Reviewed by Peter Marks] Ever since re-emerging a few years back, Monolith have gone from strength to strength; this record was simply too good to let slip into the ether. […]
[Reviewed by Peter Marks] The state of things these days at the experimental end of artistic expression is perilous, to say the least. Enter Aliens latest issuance, a project between […]
[Reviewed by Peter Marks] Gary Dassing loves his trilogies, throughout his career he’s given us installments of each phase using this construct. This latest one has taken over a decade […]
[Reviewed by Peter Marks] Tempting as it might be to just write this off as music exclusively created in and for abandoned spaces, don’t. For fifteen years now I’ve been […]
[Reviewed by Peter Marks] The albums which take longest to reveal themselves are often the most rewarding, this is most definitely proven once again by Polygon’s ‘Einzelheiten’ from 2016. It […]
[Reviewed by Damiano Lanzi] There’s an interesting story behind this duo based in Valencia, formed by Nacho Artax and Javi Andreu. They’ve been active since the mid 90s and back […]
[Reviewed by Peter Marks] These last ten years have found Covenant releasing what I’d say was the best work of their career and it hasn’t been covered at all. Anywhere. […]