Engram – Das Kapital
[Reviewed by Peter Marks] They’ll let the samples do the talking, thank you very much; dark though the vision may be it is also one of flawless technical execution. Begun […]
[Reviewed by Peter Marks] They’ll let the samples do the talking, thank you very much; dark though the vision may be it is also one of flawless technical execution. Begun […]
[Reviewed by Peter Marks] I didn’t much care for this one when I first got it, which is precisely how I like my Phil Western work these days. If it […]
[Reviewed by Peter Marks] Imagine a mansion party in the late 1960s/early 1970s that has spilled out into the garden where the participants have all reached that peculiar phase of […]
[Reviewed by Peter Marks] Either/or. An expression few of us think about and even fewer use. This dangling combination’s latter half has had an album now fashioned out of it. […]
[Reviewed by Peter Marks] He just doesn’t sleep, that’s the only conclusion I can draw from his heightened schedule of releases. We had ‘Ridotto’ not too long ago and now […]
[Reviewed by Peter Marks] Brief though it may be, ‘The Fall of Atlas’ packs a punch. Concentrated techno beats are shoved up against alien atmospheres with wiry programming slithering through […]
[Reviewed by: Iaha Crax] Have you ever heard of Scanner? In spite of a huge discography, Robin Rimbaud, the author of this project, its existence has never crossed with me […]
[Reviewed by Peter Marks] A very pleasant surprise, this, a full length from one of the odder artists operating out there. As one half of the duo who co-piloted the […]
[Reviewed by Peter Marks] Right. Here I am in 2018, writing about the music of Jonathan Sharp, wild. On his latest offering we find all manner of sonic tricks and […]
[Reviewed by Peter Marks] It may have taken some time to digest this but the process was undeniably worth it, this is the sound of past and present colliding with […]